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Explosive Inspirational Rap Artist Debut's This Month!
FOR IMMEDIATE RELEASE Unique Starr March 8, 2005 - - Atlanta, GA - - Another year of thug life and gangster glorification has come to a close. 2005 is well on its way to be the year we contemplate the future of hip-hop music. Who will grab the...
How to Efficiently Choose an Online Poker Website
Online poker websites have become increasingly popular in the last five years or so. Due to the fact that online gambling is a popular form of entertainment, online poker websites have jumped on the proverbial bandwagon in order to make some money...
LCD Televisions: The Future's Standard in Home Theater
LCD televisions are incredible, space-saving appliances. LCDs possess extremely thin, flat screens that can be mounted on a stant or even hung on a wall in your family or entertainment room. In the case of the latter, hanging an LCD television on...
Lyric Street's Kirk Boyer Confirmed As Indie Music Week Panelist
Lyric Street's Kirk Boyer Confirmed As Indie Music Week Panelist
Nashville, Tennessee - Indie Music Week (IMW) has announced that Kirk Boyer, Director, A&R for Lyric Street Records, will be a participating industry panelist. IMW, taking place...
The Advantages of Satellite TV - A Biased Review
No, the title is not a typo. This is a biased review of satellite TV versus cable. This has to do with the fact that I am a happy satellite TV subscriber, and must admit, it was a smart move on my part.
After spending exorbitant amounts of money...
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Diary of a Mad Black Woman Doesn’t Disappoint, Unfortunately That’s the Problem.
Tyler Perry strikes again as he brings his hugely successful theatrical stage play Diary of a Mad Black Woman to movie theaters nation wide. A cultural phenomenon, this is Perry’s chance to bring his play to a larger audience, unfortunately the movie, much like the play, falls flat.
Diary follows the life of Helen (Kimberly Elise) as she tries to put her life back to together after her husband, played by Steve Harris of The Practice fame, unceremoniously and rather cruelly throws her out of their sprawling mansion, officially ending their eighteen year marriage. Simple enough story right? Predictable but workable? Well if Diary had just stayed with that storyline then yes, it might have been a predictable but a rather entertaining film. Instead, Diary doesn’t stick to just that story line. It goes on to produce not one but five other subplots. These extra stories turn the movie into one big muddled mess that is never sure which way it is going.
In his defense Perry’s play is this muddled as well and what saves his play is the same thing that saves this film: Madea. Madea is Helen’s trash talking, pistol toting, you’re going to respect me or I’ll put a cap in your behind, grandma. Played by Perry himself she steals the film and makes sitting through this 116min rambling mess worth it.
Outside of Madea there’s not that much else to say about this movie. Tyler’s appearance as
Joe, Madea’s cantankerous, dirty old man, brother is the only other bright spot in the film, as we watch him fight with Madea and hit on anything that moves. Kimberly Elise, albeit a very talented actress pouts, yells, screams and otherwise overacts her way through the role of the jilted Helen. And the absolutely handsome Shemar Moore from The Young and The Restless is convincing, although uninteresting as Orlando, Helen’s new and sappy love interest. Orlando’s dialogue couldn’t get anymore cheesy or saccharine, “I’ll love you through your pain” or “I’ll be your knight in shining armor.” Although he delivers these lines as if he sincerely believes what he saying it stills sounds as if it is straight out of a bad romance novel.
I will say that if you like Perry’s stage work, then you will love this movie. He stays true to what works for him on stage, so you Perry fans won’t be disappointed. However, if you’re unfamiliar with Perry and his work and you were thinking about seeing this film, don’t. You’ll be sorely disappointed and will demand your money back.
© 2005 Tamika Johnson
About the Author
Tamika Johnson
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