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£2 MILLION CLUB TO REVIVE REDHILL NIGHTLIFE
£2 MILLION CLUB TO REVIVE REDHILL NIGHTLIFE
The 1200 capacity, Liquid & Envy will offer customers an experience unrivalled by any late night venue in the area. The venue's concept will use innovative and stylish clubbing aesthetics to appeal to a...
Bartending Secrets Revealed Special Report - Two Strategies to Instantly Increase Your Tips
Bartending Secrets Revealed Special Report - Two Strategies to Instantly Increase Your Tips
So you want to learn how to increase your tips? If you want to learn the time tested techniques that will help fatten your wallet, then you must...
Breakdancing: The Roots of The Street Dance
Breakdancing is the street dancing which began around 1969. Most people will agree that the superstar James Brown began the whole thing with a dance called the "Good Foot". James Brown was a real innovator and his dancing was something to behold....
Dublin, Ireland’s Abbey Theatre Celebrates 100
Dublin, Ireland’s Abbey Theatre Celebrates 100 Read Jetsetters Magazine at www.jetsettersmagazine.com Read this entire feature FREE with photos at: http://www.jetsettersmagazine.com/archive/jetezine/shows/theater/abbey/abbeytheatre.html Everyone in...
Duke Ellington Starring in “The Evolution of Jazz”
Duke Ellington Starring in “The Evolution of Jazz” Duke Ellington is considered to be one of the greatest figures in the history of American music. Edward Kennedy 'Duke' Ellington was born in Washington D.C. on April 29, 1899. His parents were...
How Record Pools Can Make Musicians Rich!
Record pools...ever heard of them? The chance is that you have
not. And, there is an equal reason that you have not. And, even
though major record labels have used them for years, and
continue to use record pools extensively, record pools are...
International Music Convention, Helsinki Film Festival, San Francisco Blues Festival, Highlight September's Show-business and Media Events
At the September 3 Alameda Writers Group Meeting in Glendale, producer/writer Julie Marsh and author/screenwriter Steven-Elliot Altman discuss how writers can succeed in books, film, TV, comics, and other media. For the 9th Annual Los Angeles...
Learn To Play Guitar - Tab, Bass, tablature, chords and strings
Guitar is a musical instrument strung with gut strings having a
body with a flat back, graceful incurvarions etc. and for
playing, it is twanged by the fingers. It is called in French as
guilarre, German as Guitarre, Italian as cijitarra and...
Robert Symons Tropicana Steel Pan Bermuda Vol. 1 & 2
Artist: Robert Symons
Title: Robert Symons Tropicana Steel Pan Bermuda Vol. 1 & 2
Genre: Easy Listening-Tropical
Label: Independent
Media Links: http://www.cdbaby.com/cd/symons http://www.cdbaby.com/cd/symons2
Website: ...
The Gardener, the Salsa, and a Day at the Ranch
Once Upon a Time... A Gardener's Daydream The Gardener, the Salsa, and a Day at the Ranch Article by Rich Showalter
Copyright © 2003 by ProGardenBiz ProGardenBiz, an online magazine http://www.progardenbiz.com
This is a tale of a landscape...
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Orquesta Sinfonica National de Mexico
Orquesta Sinfonica National de Mexico
Read Jetsetters Magazine at www.jetsettersmagazine.com To read this entire feature FREE with photos cut and paste this link: http://www.jetsettersmagazine.com/archive/jetezine/classic/vegas/mexico/mexico.html It's already on many of the radio stations, you might say. Well, not like this.
The National Symphony Orchestra of Mexico (Orquesta Sinfonica Nacional de Mexico) has been playing classical music from that country and many others since 1928, and Las Vegas was fortunate enough to have a visit from them on their latest U.S. tour. My date and I walked in without checking to see what they would be playing this night. We opened our programs and found...
COPLAND!
My favorite. 'El Salon Mexico' was written by a young Aaron Copland after a visit to that country in 1932 and named after a famous Mexico City dance hall. This terrific overture-length piece reflects the spirit Copland felt there: it sways romantically, stomps playfully, and even seems to prance grandly about (though the men there might never admit to prancing). I was surprised at the sedate pace at which some parts of it were played. It was as if the revelers were tired and needed a rest between dances.
Speaking of needing a rest, Enrique Arturo Diemecke has been conductor and music director of this orchestra and that of Flint, Michigan since 1990 and of the Long Beach Symphony since 2001. (And you thought your commute was rough.) The program describes him as "a popular guest conductor." No kidding! Take every classical music organization that ever existed, add three, and that's how many groups for whom Maestro Diemecke has guest-conducted, it would seem from his bio. Doesn't the word "siesta" come from Mexico?
Diemecke was nominated in 2002 for a Latin Grammy for "Best Classical Album," and his version of 'La Coronela', by Silvestre Revueltas, is considered one of the best ever recorded. However, this orchestra, like most, plays a broad range of music. 'La Coronela' would be played tonight, but next on the program was the Symphonic Dances from "Westside Story," by Leonard Bernstein. Because I have never seen this musical, I speak from the wonderful purity of total ignorance. What a fun piece! The 'Prologue', 'Meeting Scene', and 'Cool, Fugue' movements had a swinging, jazzy sound and an air of both mystery and mischief that reminded me of the Pink Panther cartoon character in a zoot suit.
Then there was the playful plucking of violin strings in the 'Scherzo', the zesty chaos of 'Mambo', the intense
action of 'Rumble', and the surprisingly calm sweetness of 'Cha-cha'. The piece was further spiced by the use of a whistle, snapping fingers, and well-timed shouts by the musicians. I could picture the strutting, fighting, dancing, and smooching in the streets. It ended with a very graceful high note by the violins set off by a brooding growl from the low strings, which told me the musical must have had a sad and rather unsettled ending. Somebody tell me if I'm right.
I saw two things for the first time tonight. First, I've seen plenty of trumpet mutes, but a mute in a tuba? It reminded my date of a huge earplug sticking out of the instrument's flared bell, and it looked to me like a silver beer keg. (I always go out with dames that are classier than I am.) Second, Maestro Diemecke conducted without a baton. Instead, he made very good use of his hands, posture, and facial expressions to get exactly what he wanted from his performers. It was great fun to watch.
The final music on the program was the signature piece I mentioned earlier, Revueltas' 'La Coronela' ('The Woman Colonel'). I have never heard a musical work more at odds with its program description. The first movement, 'Society Ladies', started out nervous and finished like an intense battle scene from the old "Victory at Sea" films! What was in that champagne I drank at intermission? Next, the 'Dance of the Disinherited' should bring to mind poverty and despair, but the music started off serene and gradually became as light and fluffy as a scherzo; it seemed to involve dancing "rurales" and no small amount of cerveza. Third, 'Don Ferruco's Nightmare', sounded peaceful, but at least it grew in intensity as it came to the part about The Woman Colonel herself. (Maybe 'Coronela' actually means "battle-axe.") I couldn't even tell where we were in the piece until the music suddenly hit a big crescendo and told me that we had reached the fourth movement, 'Last Judgement'. It started
To read this entire feature FREE with photos cut and paste this link: http://www.jetsettersmagazine.com/archive/jetezine/classic/vegas/mexico/mexico.html
Rob LaGrone, Jetsetters Magazine Correspondent – Read Jetsetters Magazine at www.jetsettersmagazine.com To book travel visit Jetstreams.com at www.jetstreams.com and for Beach Resorts visit Beach Booker at www.beachbooker.com
About the Author
Rob LaGrone, Jetsetters Magazine Correspondent. Join the Travel Writers Network in the logo at www.jetsettersmagazine.com Leave Your email next to the logo for FREE e travel newsletter.
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